With the help of a bunch of talented, friendly, awesome artists, this piece is nearing completion. They reminded me to pay attention to things that I overlook sometimes, like setting up a hierarchy of light sources, letting scattered debris like snow build up in architectural crevices, and using long, dark shadows to add drama. I also had the benefit of very sharp extra sets of eyes to notice some of the strange things happening with the figure's anatomy, perspective angles, and shadows. Special thanks to Nathan Ota for suggesting that I add the staff's marks in the snow to the figure's tracks to strengthen the narrative.
I've gotten to the stage of staring at it for long periods of time, hunting for something to work on. I still have about three weeks before the final paintings are due for the contest, but I will definitely be posting my final, final, final image, and the results of the contest as they become available.
To check out the other sketches/WIPs for the contest, go here:
And to see the final pieces as they build up, go here:
3 hours ago