I recently had a blast illustrating some classic movie monsters for a recent job. Now that I feel a bit more comfortable with my sense of tone, I've been concentrating on consistently getting my brush strokes to follow the form. I've been looking at Leyendecker paintings and Zorn etchings for guidance. Following the form makes a huge difference, and I'm hoping that eventually it will be something I do without having to think so much about it.
The Creature from the Black Lagoon:
2 months ago